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Opera Karol Szymanowski "KING ROGER" Opera in concert
Moscow theatre "New Opera"


Schedule for Karol Szymanowski "KING ROGER" Opera in concert 2022


Orchestra: Symphony Orchestra of the "New Opera" Theatre

King Roger (Krуl Roger, op. 46) is a Polish opera in 3 acts, with music by Karol Szymanowski and the libretto by the composer himself and Jarosіaw Iwaszkiewicz, the composer's cousin. The opera received its world premiere on 19 June 1926 in Warsaw, Poland, with the cast including the composer's sister, the soprano Stanisіawa Korwin-Szymanowska, as Roxana.

The opera originated from Szymanowski's enthusiasm for Mediterranean culture as a melting pot of different peoples and religions. He spent much time travelling in that area in 1911 and in 1914, and shared his love of the region with Iwaszkiewicz. In the summer of 1918 at Odessa, Ukraine, Szymanowski and Iwaszkiewicz conceived the project, and composed the opera over the period of 1918 to 1924. Szymanowski's lost novel Efebos dealt with mystical themes similar to those that inspired this work.

Jim Samson has placed King Roger in a musico-psychological analysis of Szymanowski's compositional struggles. Alistair Wightman has briefly discussed Szymanowski's stylised treatment of Arabic musical idioms in the score. Stephen Downes has analysed in detail the themes of "duality" and "transformation" expressed in the music of the opera.

Synopsis
Place: Sicily
Time: 12th Century
The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals.

Act 1
Often known as the "Byzantine" Act

The Shepherd is introduced to King Roger and his court during mass at the Palermo cathedral. Despite calls for his punishment as a heretic by the Archbishop, Roxana, Roger's wife, convinces the King not to kill him. Roger orders the young man to appear at the palace that night, where he will explain himself and submit to the King's judgement.

Act 2
The "Oriental" Act, representing India and the Middle East

As instructed, the Shepherd appears at the palace gates. Roxana sings a seductive song which is clearly a response to the visitor, causing Roger to grow increasingly agitated. As the Shepherd is led in, he describes his faith in detail and soon almost the entire court joins him in an ecstatic dance. Roger attempts to chain him, but the Shepherd easily breaks free, and leaves the palace with almost all of those assembled following him. At first the King and his Arab advisor, Edrisi are left alone, but soon it is decided that Roger will join the Shepherd.

Act 3
The "Greco-Roman" Act

In an ancient Greek theater, King Roger and Edrisi rejoin Roxana, who informs her husband that only the Shepherd can free him of his fear and jealousy. A fire is lit, and the Shepherd's followers commence another dance, while the Shepherd is transformed into Dionysus. As the dance ends and the participants leave the stage, Roger is left transformed by the experience, and sings a joyous hymn at the arrival of the morning sun.





Schedule for Karol Szymanowski "KING ROGER" Opera in concert 2022


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